4,775 Royalty-Free Audio Tracks for "In C"

*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Hundred-thirteenth harmonic on C = ?. Just: 113/64 = 984.22 cents. Limit: 113-limit. MIDI pitch bend: 121,90

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

*Hundred-ninth harmonic on C = ?. Just: 109/64 = 921.82 cents. Limit: 109-limit. MIDI pitch bend: 126,70

*Bohlen-Pierce five steps on C = F♯/G♭. 35/13 = 731.52 cents. MIDI pitch bend: 11,74

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Ossip Gabrilowitsch (1878-1936) plays Johannes Brahms: Intermezzo in C major, Op. 119 No. 3.Ossip Gabrilowitsch (1878-1936) spielt Johannes Brahms: Intermezzo in C-Dur, Op. 119 No. 3.

*1 step in 16 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/16:1 = 75 cents. MIDI pitch bend: 127,55

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

Some sines i made in logic pro x with the es2 synthesizer. 1 chord notes: d f g a c d2 chord notes: a c d f g a.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

*3 steps in 20 equal temperament on C. Equal-tempered: 23/20:1 = 180.00 cents. MIDI pitch bend: 76,57

*3 steps in 15 equal temperament on C = D♮. Equal-tempered: 23/15:1 = 240 cents. MIDI pitch bend: 102,76

*Eleventh harmonic inverse on C = G↓. 16:11 = 648.68 cents. Limit: 11-limit. MIDI pitch bend: 74,79

MIDI: Beta scale perfect fourth on C. (3 : 2)8/11 : 1 = 510.51 cents. MIDI pitch bend: 46,67

*3 steps in 22 equal temperament on C. Equal-tempered: 23/22:1 = 163.64 cents. MIDI pitch bend: 46,52

*323rd harmonic on C = E. Just: 323/256 = 402.47 cents. Limit: 19-limit. MIDI pitch bend: 101,64

*3 steps in 13 equal temperament on C = ??. Equal-tempered: 23/13:1 = 276.92 cents. MIDI pitch bend: 78,56

*5 steps in 9 equal temperament on C = ??. Equal-tempered: 25/9:1 = 666.67 cents. MIDI pitch bend: 42,53

Sonata No. 8 in C Minor „Pathetique“, Op. 13 - II. Adagio cantabile

C major scale played on a martin sigma 6 string acoustic guitar with old steel strings using a seymour duncan soundhole pickup into a presonus audio box interface. Recorded at 120bpm in living room.

*Just diminished fifth on C = G♭ (Ben Johnston's notation). 36:25 = 631.28 cents. Limit: 5-limit.

*105th subharmonic on C = E♭-. Just: 128:105 = 342.91 cents. Limit: 7-limit. MIDI pitch bend: 94,77

*31 steps in 48-et on C = ?. Equal-tempered: 231/48:1 = 775 cents. MIDI pitch bend: 0,56

*Hundred-ninety-seventh harmonic on C = ?. Just: 197/128 = 746.46 cents. Limit: 197-limit. MIDI pitch bend: 111,78

Klaviersonate Nr. 3, Op. 2.3, C-Dur - II. adagio

*8 steps in 13-et on C = ??. Equal-tempered: 28/13:1 = 738.46 cents. MIDI pitch bend: 39,76

*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

*8 steps in 11-et on C = ??. Equal-tempered: 28/11:1 = 872.73 cents. MIDI pitch bend: 34,55

*Hundred-fifty-first harmonic on C = ?. Just: 151/128 = 286.09 cents. Limit: 151-limit. MIDI pitch bend: 70,59

*43 steps in 72-et on C = ??. Equal-tempered: 243/72:1 = 716.67 cents. MIDI pitch bend: 42,69

*31 steps in 72-et on C = ?. Equal-tempered: 231/72:1 = 516.67 cents. MIDI pitch bend: 42,69

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

Klaviersonate Nr. 3, Op. 2.3 C-Dur - IV. allegro assai

*30 steps in 31-et on C = ?. Equal-tempered: 230/31:1 = 1161.29 cents. MIDI pitch bend: 78,51

*Hundred-forty-ninth harmonic on C = ?. Just: 149/128 = 263.00 cents. Limit: 149-limit. MIDI pitch bend: 20,52

*Hundred-ninety-first harmonic on C = ?. Just: 191/128 = 692.91 cents. Limit: 191-limit. MIDI pitch bend: 93,61

*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.

*37 steps in 48-et on C = ??. Equal-tempered: 237/48:1 = 925 cents. MIDI pitch bend: 0,72

*7 steps in 10-et on C = ?. Equal-tempered: 27/10:1 = 840 cents. MIDI pitch bend: 102,76

*Hundred-thirty-ninth harmonic on C = ?. Just: 139/128 = 142.73 cents. Limit: 139-limit. MIDI pitch bend: 86,77

*31 steps in 36-et on C = ?. Equal-tempered: 231/36:1 = 1033.33 cents. MIDI pitch bend: 85,74

*Four-hundred-thirteenth harmonic on C = ?. Just: 413/256 = 828.00 cents. Limit: 59-limit. MIDI pitch bend: 122,72